shoma and roboji wander their way into the observation deck, and lucien might notice there's a sense of suspicion and discontent that isn't his own entering the room before the boy himself down.
but. also. it's hard not to notice the paranoia that isn't his and he looks up from where he was kind of glancing around the walls, lifting an eyebrow. ]
So're you.
[ because yeah, literally where would he go? send him out the airlock. ]
I've been asking the same question. I have a few guesses, but none of them make it any more reasonable than why they brought any of us. That's the bigger question I have.
[ honestly that is valid. he can respect someone who is (seemingly) neutral because too many people feel too much. though with that, there's a stray thought of sounds familiar. ]
And just how many of those people do you think would go for something without knowing all the details?
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shoma and roboji wander their way into the observation deck, and lucien might notice there's a sense of suspicion and discontent that isn't his own entering the room before the boy himself down.
but. also. it's hard not to notice the paranoia that isn't his and he looks up from where he was kind of glancing around the walls, lifting an eyebrow. ]
So're you.
[ because yeah, literally where would he go? send him out the airlock. ]
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Where would I go? There's no exit.
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Not one that we've found yet. [ agitation. like a cat lashing its tail, low but present. ] But I don't know. Some people get creative.
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What have they brought you for, I wonder.
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[ ... ]
We all want something. Mostly likely badly.
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Which means that if the company tells us they can give it to us, we might actually agree to play along. Whether we know if that's true or not.
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[ his emotions are surprisingly placid and neutral, though maybe he's trying very hard to keep them that way. ]
Quite a few desperate people here.
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And just how many of those people do you think would go for something without knowing all the details?